100 Techniques for Professional Wedding Photographers

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The couple already knows our personality and what to expect from being photographed by us. In order to effectively plan out what you will need to do when the wedding comes around, you will want to begin by sending your couple a wedding questionnaire. You send a consolidated list of questions, and the couple fills in the answers. This will cover topics like their schedule of events, listing out must have shots, discuss any venue photography restrictions, etc. With a completed questionnaire in hand …or email inbox… , you can put together a wedding photography timeline.

The benefits of a wedding timeline are seriously significant! A few that come to mind:. Your timeline will only be useful if you are able to stick to it on the big day!! One of the most significant planning things we have learned is to always ALWAYS include buffer room around the key events. This is especially true earlier in the day. For example, if a bride plans to only need 1 hour for hair and makeup, you should factor in at least 1.

Most events during the reception are fairly flexible to move around as needed. Cake can be cut a little earlier or later if necessary, and a bouquet toss or round of the shoe game can move around as needed too. Obviously, the ceremony start time is going to be a time that is set in stone. Things that happen right around it like family formal portraits — are also hugely important.

One of the essential wedding photography tips for beginners is this one! Having a shot list will make a world of difference so that you remember all of the photos you need and want to capture. Our clients will sometimes request specific pictures. It might be a photo with some friends who came in from out of town, a shot of a special piece of jewelry, or even a shot similar to one they saw on Pinterest. Whatever it may be — we write these things down and make darn sure we get those photos. On our end, we also like taking specific photos. We know that driving from a hotel to a church to a reception hall all take time.

Sometimes, these are all within a short distance from each other. In other cases, they can be seriously spread out. We once photographed a wedding where we met the couple for first look photos at their reception venue, then drove 30 minutes to a church, then 30 minutes back to the reception venue. If you do the math, that is 1 full hour of driving. This is something we knew and planned for in advanced. But, had we not checked, we would have ended up completely off guard and behind schedule.

One other pro-tip: make sure you leave extra time in your schedule in case the drive ends up taking longer due to traffic, construction, etc. Is it better to have an assistant photographer or an assistant-to-the-photographer? Any Office fans in here? In all seriousness, having a second set of hands on the big day will be very helpful. The amount of times we have scrambled to collect our gear bags, loose camera caps, and other things we end up carrying for our clients can be counted on many hands.

Having someone around who could provide support in this way would be hugely beneficial. The biggest area for this will be when setting up your lighting equipment. Being able to send an assistant ahead to a reception hall to situate your off camera flash setup can mean the difference between having to rush when you arrive or being able to take a quick breather before the entrances. But, any wedding photographer would benefit from a second set of eyes taking actual pictures.

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Having double the amount of photographs from multiple perspectives throughout the day makes for a more interesting gallery. While we hate to admit it, it also serves as a bit of insurance because if one of us messes up our settings during a pivotal moment like the first kiss — the other is going to have photos that can be used.

In addition, a second shooter just makes things more fun and less stressful. We also easily sell ourselves to couples because we can be in two places at once — like one of us photographing the girls getting ready, and the other capturing the guys. You can still photograph a wedding by yourself — we even put together a whole post about doing just that!!

100 Techniques For Professional Wedding Photographers

Having new and exciting gear is very cool at first, but over time they just become the things you use to create photographs. As you will find in any aspect of life, your tools can help you to produce a better end product — but at the end of the day, lower quality tools in the hands of a really experienced professional is still going to result in a better result than a novice coming out with the most high end supplies.

One of the easiest and cost effective ways to get quality images in your portfolio at first is by simply renting gear. Early on in our wedding photography career, we did exactly this. So we rented them. It turned out, we loved them and ended up booking more weddings, saving, and buying them for ourselves.

The only downside with renting is that you will end up spending money that is not going towards owning something. Note: You should always try out equipment before a wedding day. Consider renting a camera and a lens or 2 the weekend before the wedding and take it out to test. While renting is sometimes necessary, we do still prefer buying things when we can. We bought most of our camera gear outright. When we approached this, we knew we wanted to be professional photographers.

Natural Light Wedding Photography - Tips, Tricks & Posing

As a result, we also knew we needed to have professional level gear. To make this happen, we put off buying cheaper gear just because it was in our current price range, but would save a little longer to get exactly what we needed.

This ends up saving money in the long run, as much camera equipment does begin to depreciate quickly after purchasing. If you need some advice on what to buy, we put together a number of resources in our Recommended Gear section. You can also jump right to our Wedding Photography Gear Checklist for a list of everything you would need to be a successful wedding photographer!!

Batteries and SD cards are kind of like the salad of photography gear. And much like salad, they add a lot of value. When we first started off, we were often under prepared and scrambling to get batteries on chargers in the corner of a reception hall. Over time, we started to bring more and more batteries until we learned how many we needed to successfully power all of our cameras, flashes, transmitters and so on. First — you need SD cards with a fast write speed.

The reason for this is because, as a wedding photographer, you will be snapping a lot of photos in rapid succession. Your SD card needs to be able to withstand the number of images it needs to capture and store on the card. Fortunately, SD cards with fast writing speeds are becoming more of the norm, and prices are becoming increasingly lower for these types of cards.


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The last thing about SD cards that you should seriously consider is having a camera with 2 SD camera slots that can be used to dual write images. This means — when you take a picture, it is backed up on 2 cards. In the event something would happen God forbid! But for professional work, and especially that of a wedding day that cannot be reproduced ever, having backups is really, really important.

It is important to have insurance so you can be covered from all angles. There are a few different insurance types we recommend you have as a wedding photographer:. We have the peace of mind of having good insurance coverage. If you want to look into getting business insurance, we recommend going with Hiscox Insurance. Getting a free quote is a simple and quick process that you can do right here. With the right insurance in place, you could end up saving yourself millions of dollars!! One goal of a wedding photographer is to look presentable, professional, and like you are a guest at the wedding.

While we try not to get too hung up on our clothing we are not the materialistic types at all , we do want to look put together. In the least, we want to show respect to our clients to get properly dressed up for their big day. Be sure you ask your clients what their dress code is. You may want to just include this as a question in your wedding questionnaire we discussed earlier.

You should aim to wear clothing that suits the event no pun intended! If you have any concerns, be sure to ask your clients well in advance to clarify. At the end of a day, it is a wedding — so you will most likely be absolutely fine to dress like you would for any special event. This is a general lifestyle tip, but it directly impacts our capabilities as wedding photographers. Doing wedding photography regularly and as a career is physically and mentally taxing.

Wedding Photography Blogs

We have found that making strides to better our personal health has positively influenced our photography work. Make an effort to get regular exercise and eat fairly healthy, and you will find yourself with more clarity and an ability to keep up as long and tough wedding days come along. When prepping for the wedding day, you can never underestimate how much being hydrated and having some extra energy will help you make it through the day. Whether your shooting for 8 hours or 14 hours, these simple things will help you stay on your feet and get all the shots you need.

The easiest way to make sure you have everything you need is to pack your bags in advance. At every wedding, we always find ourselves handing out at least a few cards. What better way for someone to get exposed to your photography service than actually seeing you do your job? If you need some cheap but high quality business cards, look no further than Moo. We had tried some big box shops, and none compared to the sleek looking cards we ended up getting here. Highly recommended!! These are the tips and tricks that will help you to capture great photographs during the wedding day.

Wedding Photography Tips to Get You Started

Getting to the wedding prep location is the first wedding photography tip for beginners that will play directly into how you are taking photos. Some of the benefits of arriving early include:. How early you arrive is up to you. Normally we show up minutes in advance depending on the specifics. Light is always going to be your best friend as a photographer. When we arrive, one of our first goals is to check the lighting. If there is natural light available — great! The logic of it blows our minds!

They should understand the reasoning pretty quick! There is often so much going on at this time. A lot of people rushing around to get things done. As a photographer, working in this type of space can be tough — especially if you are an introverted type of person! All we can say is do what you can to prepare in advance, and embrace the stress of the situation to create the best images you can. One of the big goals of being a wedding photographer is to make magic no matter what the location is.

Fortunately, it becomes easier with time. You can help yourself prepare by really learning how to take advantage of light and use your camera effectively in any situation. For the uninitiated, bridal boudoir portraits are an example of nude photography or semi-nude where the bride has these types of photos taken as she gets ready. They are becoming more-and-more common, and brides will often take these images and have them put together in a printed album for their husband. As a wedding photographer, you are tasked with taking these shots in a way that is tasteful and as a professional.

To achieve this goal, you should always do what you can to empathize with your bride. Wedding photographers often have to do a lot of posing to get the best shots. While you should always make an effort to make sure the people you are having move around or in some cases — actually helping to move around are comfortable with the things you are requesting, it is especially important for boudoir photography.

You can always set the stage before starting your shoot by telling her that if at any time she feels uncomfortable, to let you know and we can adjust course. In addition to this, you may want to consider having an additional model release form to cover this type of photography in a legal document. For sure, nude photography of this sort is a lot more personal, so most people will want more control over their images due to privacy concerns.

Clarifying what can and cannot be done in advanced is a great way to proactively make sure no harm would ever come to anyone. Bridal boudoir photography should always aspire to be soft and flattering. Natural light is one of the best ways to achieve this look. Most locations will have some areas of natural light.


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You really only need minutes to get a lot of great shots! The positioning of the bride will play a significant role in how the photos turn out. While there are different factors that will play into what is flattering vs. You may also want to consider any personal attributes the bride may be self-conscious about. For example, a curvy bride may not be entirely comfortable with some extra weight around her stomach area — especially when nude or in lingerie. One solution may be to take more photos from the torso up.

Please note…there is no one size fits all solution here. You need to use your judgment, and communicate with your bride as necessary. On occasion, we get asked why photographs of details matter. Especially right now. But, when a couple revisits their wedding day a decade or two from now, having photos of the little items will help to stir up great memories of the event.

It helps tell the story of the wedding in the same way a great movie features some well designed props. The smallest details like wedding rings and other jewelry will need a macro lens to capture them in their finest. Early on in our career, we would photograph details with a 50mm — while it worked for what it was, our images became instantly better once we had a dedicated macro lens like this. If you need a cheaper solution since you are just starting out with wedding photography, you could also pick up a macro lens adapter.

You can think of these as magnifying glass attachments you can put on the lenses you currently have. We have used a few that have come with lens and camera kits we have purchased in the past, and they do a decent job considering how little they cost. For most of our photography, we simply use auto-focus. For macro photography, we make an exception and shift our lens from auto to manual focus.

When taking pictures of small objects, your cameras auto focus performance will probably not be all that great. We have found that adjusting the focus ourselves is a way to get more consistently in focus shots. One of the keys to getting crisp images is to make sure you are getting everything in the scene in focus. For normal sized subjects like taking pictures of people or landscapes, you can often get away with using a wide aperture ie: low f-stop to create depth by blurring out the background of the image.

While this still applies in macro photography of wedding details, you will want to use a higher f-stop to get more of the item s in the frame in focus. One special wedding photography tip we have is to bring along props to make the layout of your images more interesting and appealing.

http://ctcopieur.com/the-smoking-horse-a-memoir-in-pieces.php The change up is often subtle, but can help you to have more control over your images. One way to have a really consistent portfolio of detail images across all of your weddings is to use props. For related reading: 27 Wedding Photography Tips for Brides. Having a list of all the details you should be capturing will help you ensure that you photograph them all. You should request this information in the wedding questionnaire you send out to your clients in advance of the wedding. Taken during their portraits, these can be really intimate and romantic shots that showoff the jewelry in the context of being on the people who are wearing them.

Nailing the first look begins by finding a location that fits the bill. The things we look for in a great spot:. On paper, a first look is super simple. But, for a photographer, it can require some logistical planning to make sure everyone is set up and in position AND not seeing each before the moment is just right. You find this information out by simply asking! In the event they want to be by themselves, finding a secluded location will help. Shooting in shade or more controlled environments will help with this tip.

One of the absolute worst things to happen in any first look is for visualize how great a shot will look, then the sun decides to peak out and drench one person in bright light, and the other in dark shadow. Weddings have a lot of common traits between them, but there will also be big differences. Going from shooting a Jewish wedding to a Catholic wedding is a pretty significant change up when it comes to the traditions and pacing of the ceremony. This is actually one of the most interesting parts about being a wedding photographer. Being exposed to so many different religious and cultural traditions.

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Heck, some ceremonies even incorporate really personal and family traditions that are probably the ones that bring us closest to tears as they unfold. Normally, you will not be allowed on the altar area and flash photography will be prohibited. These are the well-intentioned family members, often older in age, that want to show off their photography chops during the wedding ceremony.

In an effort to document the wedding, they end up serving as a distraction for a lot of the guests. They also can get in the way or otherwise distract from the professional photographer who is being paid to be there. From the processional to the exchanging of vows and rings to the first kiss, it can be valuable to know how the ceremony will unfold so you can make sure your in the right spot at the right time. Having a copy of the schedule will make a world of difference.

During most other points in the wedding day, you can manage with a single camera and lens setup, but ceremonies are so time limited that being able to quickly transition from one camera to the next is HUGE!! The way we normally use two cameras is by setting each up with different but complimentary lenses. For example, you might choose a mm lens to capture shots from further back, and a mm lens for capturing wider photos. This can allow you to get virtually any composition your heart desires within seconds of each other.

While you could just keep one camera on the sidelines and run back-and-forth to swap it out with the other, our preferred solution for shooting with two cameras involves having a 2-camera harness. If you wanted something with the same functionality but a little more durability and cool points, you could also pick up a HoldFast Moneymaker harness. During a wedding ceremony, your goal as a photographer is to be like a ghost.

A good idea is to quickly go over what you need with them before they walk. Normally, you will want to suggest that they walk slowly and even pause for a quick shot at a certain location. Avoid the staid and traditional wedding images by telling a candid story of the day. Kevin Mullins explains how to master wedding photojournalism. You may not be a professional wedding photographer, but there's no reason why you can't great wedding photographs. We offer wedding photography advice advice on….

Our wedding photography tips includes essential equipment, planning, camera settings, poses, candid shots, Photoshop tweaks, presenting the images Need to know your essential wedding photography equipment? Teeny, tiny, beautiful books Dive in and see! As the Star Wars franchise continues to grow, change, and churn out money-making film after film now under the control of Disney, we can bet that the desire to own Star Wars collectibles will also continue to grow. Check out our gallery of goodies from a galaxy far, far away What makes Biblio different?

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